independentparticipialrelativepurposecausecontentconditionalphrase modifierdashed = verbless / suspended
Flush-left = a main (independent) clause. Each dependent line begins directly beneath the word it attaches to in the line above — the anchor word is dotted-underlined, and lights up when you hover its dependent clause; each tag also names the attachment. A dashed border marks verbless, elliptical, or suspended lines. Where a long sentence's staircase runs wider than the page, the diagram scrolls sideways. (In print, or without JavaScript, lines fall back to stepped indent columns.)
The seventh seal — silence in heaven 8:1
1
And when he opened the seventh seal,conditional — ὅταν with the aorist INDICATIVE ἤνοιξεν (for regular ὅτε) — Revelation's rough temporal; leans on the silence below
there was silence in heaven for about half an hour.independent — the seal series ends not in a plague but a hush — heaven holds its breath before the trumpets
The incense-angel at the golden altar 8:2–6
v. 2 — the seven angels of the Presence receive seven trumpets
2
And I saw the seven angelsindependent — the seer's formula — a new septet opens inside the seventh seal
who stand before God,relative — perfect ἑστήκασιν — the angels of the Presence (cf. Tob 12:15; Luke 1:19)
and seven trumpets were given to them.independent — divine passive — the trumpets issue from the throne
vv. 3–5 — the incense with the prayers; the fire flung back to earth
3
And another angel cameindependent — the interlude figure — ἄλλος, distinct from the seven
and stood at the altar,independent — ἐπί + genitive — stationed at (over) the altar
holding a golden censer,participial — attendant circumstance — the priestly implement
and much incense was given to him,independent — divine passive again — singular ἐδόθη with neuter plural subject
that he might offer it with the prayers of all the saintspurpose — ἵνα + FUTURE indicative δώσει — Revelation's idiom; the dative read as accompaniment: incense WITH the prayers
upon the golden altar before the throne.phrase modifier — the place of offering — the golden altar of incense, before the throne itself
4
And the smoke of the incense, with the prayers of the saints, went upindependent — the same dative repeated — smoke and prayers ascend as one column
out of the angel's hand, before God.phrase modifier — the route — from the mediating hand into the Presence
5
And the angel took the censerindependent — DRAMATIC PERFECT εἴληφεν amid aorists — the gesture caught in close-up (cf. 5:7)
and filled it with fire from the altarindependent — the altar fire — coals from the place of the prayers (cf. Ezek 10:2; Isa 6:6)
and cast it to the earth;independent — the prayers return as judgment — the censer's fire hurled down
and there came thunders and rumblings and lightnings and an earthquake.independent — the Sinai-theophany formula (4:5; 11:19; 16:18) — the storm that answers the prayers
v. 6 — the seven ready themselves
6
And the seven angels who had the seven trumpets prepared themselvesindependent — αὐτούς with reflexive force (= ἑαυτούς) — Revelation's usage; the attributive participle kept inline
to sound them.purpose — purpose — here the regular aorist subjunctive (contrast v. 3)
The first four trumpets 8:7–12
v. 7 — the first trumpet: hail and fire mixed with blood, on the earth
7
And the first sounded;independent — the formula begins — ὁ πρῶτος alone (no ἄγγελος), the ordinal carries the series
and there came hail and fire, mingled with blood,independent — the plague of hail (Exod 9:24) intensified — blood added to the mixture
and it was cast to the earth;independent — singular ἐβλήθη — the mixture hurled as one mass, echoing the censer's ἔβαλεν (v. 5)
and a third of the earth was burned up,independent — the τὸ τρίτον refrain begins — judgment measured, not total
and a third of the trees was burned up,independent — the second κατεκάη — the destruction itemized
and all green grass was burned up.independent — the third κατεκάη breaks the measure — πᾶς, all the green grass
vv. 8–9 — the second trumpet: the burning mountain into the sea
8
And the second angel sounded;independent — the formula repeated — now with ἄγγελος
and something like a great mountain, burning with fire, was cast into the sea;independent — ὡς — the visionary approximation (cf. Jer 51:25, the destroying mountain)
and a third of the sea became blood,independent — the Nile plague (Exod 7:20) on the sea — the refrain continues
9
and a third of the creatures in the sea, those having life, died,independent — τὰ ἔχοντα ψυχάς — nominative-shaped apposition to a genitive, construction ad sensum
and a third of the ships were destroyed.independent — plural διεφθάρησαν with singular τὸ τρίτον — again ad sensum; sea, creatures, ships: the triple
vv. 10–11 — the third trumpet: the star Wormwood on the waters
10
And the third angel sounded;independent — the formula, third time
and a great star fell from heaven,independent — the fallen star (cf. Isa 14:12; Rev 9:1) — heaven's own light turned plague
burning like a torch,participial — attributive — the same καιόμενον fire as the mountain (v. 8)
and it fell upon a third of the rivers and upon the springs of waters.independent — ἔπεσεν doubled — the fall, then its target: fresh waters, down to the springs
11
And the name of the star is called Wormwood.independent — the naming line — present λέγεται; wormwood, the bitterness of covenant judgment (Jer 9:15; 23:15)
and a third of the waters became wormwood,independent — ἐγένετο εἰς — Hebraizing 'became into'; the anti-Marah (Exod 15:23–25): sweet made bitter
and many of the men died from the waters,independent — the first trumpet to kill men — πολλοί, not yet τὸ τρίτον of mankind (9:15)
because they were made bitter.cause — the ground — ἐπικράνθησαν, the bitterness lethal
v. 12 — the fourth trumpet: sun, moon, and stars struck
12
And the fourth angel sounded;independent — the formula, fourth time — the series' first half closes
and a third of the sun was struck, and a third of the moon, and a third of the stars,independent — ἐπλήγη — one verb, the triple of lights; the plague of darkness (Exod 10:21)
so that a third of them was darkened,purpose — ἵνα — purpose shading into result: the striking aims at the darkening
and the day might not shine for a third of it,purpose — the ἵνα continued — μὴ φάνῃ, daylight docked by a third
and the night likewise.purpose — elliptical — the night's third likewise dark; even its lesser lights dimmed
The eagle's threefold woe 8:13
13
And I saw,independent — the seer's formula — a hinge between the fourth trumpet and the three woes
and I heard an eagle flying in mid-heaven,independent — genitive after ἤκουσα; εἷς as indefinite article — an EAGLE (not an angel), at the zenith where all can see
saying with a loud voice:participial — the genitive participle carries the cry
'Woe, woe, woe to those who dwell on the earth,content — οὐαί with the ACCUSATIVE (for the expected dative) — solecism; one woe per trumpet still to come
because of the remaining trumpet-blasts of the three angelscause — ἐκ — the ground of the woes; the genitive chain: blasts, of the trumpet, of the three angels
who are about to sound.'participial — attributive — the chain closes on what is still ahead: trumpets five, six, seven
Analysis. Revelation 8 is Semitic parataxis at its purest: nearly every line is flush-left purple, καί after καί, and the shape of the chapter is a set of short main-clause columns — the eye reads judgment as a drumbeat, not an argument. What little hangs, hangs tellingly: the ὅταν temporal of v. 1 leans forward like a protasis on the half-hour silence (with the indicative ἤνοιξεν where ὅτε would be regular — one of Revelation's grammatical roughnesses); in the incense scene the green ἵνα of v. 3 carries the book's signature ἵνα + future indicative (δώσει), and the ταῖς προσευχαῖς dative is kept inside that line and read as accompaniment — the incense offered WITH (not merely 'to') the prayers of all the saints; the perfect εἴληφεν (v. 5) amid aorists is taken as the dramatic perfect, a close-up as the censer is snatched up. The four trumpets (vv. 7–12) are set as parallel liturgy, one movement label per trumpet, the formula Καὶ ὁ (ordinal) ἐσάλπισεν standing first each time and the τὸ τρίτον refrain drumming down the left margin; τὰ ἔχοντα ψυχάς (v. 9) and plural διεφθάρησαν with singular τὸ τρίτον are flagged as constructions ad sensum. In v. 13 the herald is an eagle (not an angel); the quoted triple woe hangs blue under λέγοντος, and οὐαί governs the accusative τοὺς κατοικοῦντας — a solecism for the expected dative — with the ἐκ-phrase set beneath the woes as their ground and the genitive chain closing on the three angels still to sound.